2headedsnake:

marinni.livejournal.com
Johann Georg Leinberger, 1729 - 1731.

2headedsnake:

marinni.livejournal.com

Johann Georg Leinberger, 1729 - 1731.

wildeboys:

Caravaggio’s Boy’s Lips

wildeboys:

Caravaggio’s Boy’s Lips

iheartmyart:

Hercules fighting Achelous Francoise-Joseph Bosio, 1824Musée du Louvre, Parisbronze
(via antonio-m)

iheartmyart:

Hercules fighting Achelous
Francoise-Joseph Bosio, 1824
Musée du Louvre, Paris
bronze

(via antonio-m)

antitacta:

The Mouth of Hell, from the Book of Hours of Catherine of Cleves, circa 1440.

antitacta:

The Mouth of Hell, from the Book of Hours of Catherine of Cleves, circa 1440.

artconglomerate:

Auguste Rodin, The Kiss, 1886.

artconglomerate:

Auguste Rodin, The Kiss, 1886.

cavetocanvas:

Giovanni Bellini, Fortitude, c. 1470
From the Getty Museum:

A young woman with long, curly hair wrestles open the jaws of a lion. The play of light and shadow across her belted dress emphasizes the rounded curves of her body, while Giovanni Bellini’s simple yet powerful portrayal of her wrestling grip emphasized his skill with contrasts. He drew the woman’s delicate curls with circular strokes, subtly different from the looser, curving lines of the lion’s mane. Bellini displayed a confident and assured touch unusual for such a small-scale work. The woman represents Fortitude, one of the four Cardinal Virtues, a symbol of endurance and strength in mythology. She is more usually shown as a warrior, wearing a helmet and holding a shield, spear, or sword. Scholars do not know the purpose of this drawing, but because of its small size, it was likely made for a miniature or manuscript illumination. 

cavetocanvas:

Giovanni Bellini, Fortitude, c. 1470

From the Getty Museum:

A young woman with long, curly hair wrestles open the jaws of a lion. The play of light and shadow across her belted dress emphasizes the rounded curves of her body, while Giovanni Bellini’s simple yet powerful portrayal of her wrestling grip emphasized his skill with contrasts. He drew the woman’s delicate curls with circular strokes, subtly different from the looser, curving lines of the lion’s mane. Bellini displayed a confident and assured touch unusual for such a small-scale work. 

The woman represents Fortitude, one of the four Cardinal Virtues, a symbol of endurance and strength in mythology. She is more usually shown as a warrior, wearing a helmet and holding a shield, spear, or sword. Scholars do not know the purpose of this drawing, but because of its small size, it was likely made for a miniature or manuscript illumination. 

continentcontinent:

Afghanistan.Roland Michaud (1970)
islamandar

continentcontinent:

Afghanistan.Roland Michaud (1970)

islamandar

cavetocanvas:

Janine Antoni, Loving Care, 1993
In [this] early piece […], Antoni crept across a gallery on her hands and knees, dipping her long hair in a bucket of hair dye and painting the floor with it. (via)

cavetocanvas:

Janine Antoni, Loving Care, 1993

In [this] early piece […], Antoni crept across a gallery on her hands and knees, dipping her long hair in a bucket of hair dye and painting the floor with it. (via)

cavetocanvas:

Janine Antoni, Mortar and Pestle, 1999

cavetocanvas:

Janine Antoni, Mortar and Pestle, 1999

suicideblonde:

Bracelet (1899) by Mucha

suicideblonde:

Bracelet (1899) by Mucha